You will likely have seen my previous posts that detailed rumours (and some confirmation from Zakk himself, see this article: http://rowbinet.co.uk/2012/01/04/marshall-golden-jubilee-the-holy-grail/ ) that Marshall were planning to release a new Zakk signature just, we assume looking like those in the picture above. Zakk called them the Steel Curtain Of Doom – I and others referred to them as the 2203BLS.
Since my old pal Zakky announced last month that he is starting Wylde Audio, and other reports have confirmed that some of his main endorsements have ended, detective Rowbi has been hot on the trail of who will actually be building these new amps for Zakk – as surely he’s not reinventing the wheel?!?!¿¡¿¡
First, check out the 5:04 mark in the following video – hmmm, that mini stack clearly resembles that of a Marshall MG15CFXMS!
What really caught my eye was the flashing tap tempo light:
Next, check out that same video at 5:09, and you’ve guessed it – another Marshall look-a-like! This time it’s the Wylde Audio Master Practice 15, which is a real dead ringer for
love a Marshall DSL15C:
So, this got me thinking, is the Master 100 just a 2203 as Zakk has famously used over the years? The front panels seem to match up, and he’s also showed it off in a steel curtain cosmetic version that matches his current Marshalls:
So, with the above points in mind, are Marshall making these Wyde Audio amps? Or has Zakk borrowed or ripped off the designs?
Only time will tell for sure – but I know what my money is on!
Is it a bird? Is it a plane? No, it’s the latest amp sim and multi FX to come from those boffins over at Line 6!
A mash up between an Amplifi FX100 and POD HD, gives you a streamlined interface, some great Amplifi (X3) and HD amp tones, and a very rich selection of FX (200 in total, with 50 from the POD HD). It doesn’t have quite all of the features of POD HD500X, no dual signal path, no MIDI, etc – But for some this will be an ideal piggy in the middle!
You can jam along to Bluetooth audio sources, and edit presets using an iPad, iPhone and Android. You can also use the tone match feature in the remote app, to auto select you a guitar tone to jam along to what you’re listening to. This helps you to focus on playing more!
There’s a USB interface for recording and playing back audio if that’s what you like.
There are many preset locations, as well as the ability to use additional footswitches to turn on and off FX within a preset – and I like the dim/bright footswitch LEDs that glow dimly when an FX block is off, and brightly when it’s on (just like a Line 6 M13).
If you’re a Variax user (original Vax, JTV, or new Variax Standard) you can use the build in Variax VDI input too – or alternatively there’s the standard guitar input. If you do have a compatible Variax, the Firehawk can also switch your Variax guitar models and the tunings too, all as part of a preset change (i.e. pressing a footswitch) – NICE!
Check out http://www.line6.com for more info.
In the market for wireless? Check these babies out! You can connect multiple transmitters to one receiver and at the press of a button (or footswitch) switch between your instruments.
How about 8+ hours of battery life for your transmitter, tour grade metal casings, near zero latency (under 1.5ms) and uncompressed lossless sound.
I’ve previously reviewed Line 6 Relay wireless, and have gigged with a G50 and G90 units in the past – All I can say is that it’s very high quality kit, and with the cable tone settings, you can still get that tone as if you are using a cable. Great stuff!
That’s right people, a standard series Variax, with all the usual wizardry contained to give the same great Variax technology at a more sensible cost point for semi-pro guitarists and those on a slightly lower budget.
Need more info, check out www.line6.com
Remember this momentous occasion! The reissue of the Marshall 2555 Silver Jubilee in January 2015 at the Winter NAMM show.
The reissue head will be called the 2555X, and the cabs (containing 4 x V30 speakers) are the 2551AV (angled) and 2551BV (straight). Never let it be said that Marshall didn’t release a significant Jubilee model around their 50th anniversary (ok, so it’s their 53rd this year in 2015 :-) )
Full specs and the official press release below:
Marshall Launches a Modern Re-Issue of the Legendary Silver Jubilee 2555 Stack
1987 was a very special year for both Marshall Amplification and its founder, Jim Marshall, as it marked 50 years in the Music Industry for Jim, and the 25th Anniversary of his iconic British guitar amplification brand. To celebrate these two momentous occasions, Marshall released the Silver Jubilee Series of amps, clad in silver vinyl. Of this critically acclaimed series, the 100 Watt 2555 stack quickly became one of Marshall’s most popular and significant products. It was adopted by countless artists, including the one-and-only Slash.
Due to incredible public demand, Marshall is offering a UK made, modern re-issue of the highly sought after 2555 stack that exactly duplicates its features and legendary tone. The models are the 2555X head plus the angled-front 2551AV and straight-front 2551BV 4×12” cabinets (sold separately).
Here are the features:
2555X 100/50 Watt valve Head Features
• 3 x ECC83 (12AX7) preamp valves and 4 x EL34 power valve
• Silver vinyl and silver front panel
• High/Low Output selection switch – this switches the power stage between Pentode operation (100 Watts) and Triode (50 Watts)
• 2 footswitchable channels – Rhythm and Lead.
• Presence, Bass, Middle and Treble EQ controls
• Output Master/Pull channel Control. This footswitchable push/pull control switches between Rhythm and Lead settings.
• Lead Master Control which sets the Lead mode volume.
• Input Gain/Pull Rhythm Clip Control. When pulled out if adds extra crunch to the Rhythm Mode of the 2555X.
• Series Effects Loop
• DI Output for PA or recording
• Footswitch included
• Made in Britain with Pride
Check out my buddy Chris George doing what he does best in the video below:
2551AV and 2551BV Cabinet Features
• Angled (2551AV) and Straight (2551BV) fronted 4×12” versions available
• 4 x Celestion ‘Vintage 30’ speakers (70 Watts a piece)
• 280 Watts
• Silver vinyl
• Mono/Stereo Switching – 16 or 4 Ohms Mono; 8 Ohms per-side, Stereo
• Castor wheels included
• Made in Britain with Pride
For more information on Marshall Amplification visit: www.marshallamps.com
Cool! it’s the 50th anniversary of the Marshall 4×12 cab, so Marshall have quite rightly decided to release a 50th anniversary 4×12 cab.
Full specs and press release below:
2015 is the 50th anniversary of the iconic Marshall stack, and to celebrate this we are delighted to announce the launch of two very special 4 x 12” speaker cabinets: the 812A50 angled cabinet and the 812B50 straight cabinet, which will be launched at NAMM 2015. The 50th Anniversary cabs are limited edition and will be available only until the end of the 2015.
These British built commemorative 4x 12”s will feature original cosmetics: authentically reproduced fret cloth, leather strap carrying handles, and era correct Celestion G12M speakers with solder tags. Both angled and straight cabs will bear a special plaque identifying them as limited edition 50th anniversary. And because not every guitarist will want or need a full stack, each cab will be available to buy separately.
For more information on Marshall Amplification visit: www.marshallamps.com.
Whats that you say? A Mini Dunlop Cry Baby, with 3 wah voices and true bypass? Half the size of a std wah?
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Line 6 have today hinted on their Facebook page and Twitter feed about new products being “unleashed” at NAMM. Here’s what they said:
“At #NAMM 2015, we’re unleashing exciting new products that will inspire innovation for creative guitarists. Stay posted to learn more!”
Here’s a link to the tweet: Link to tweet
The word on the street is that Orange is about to reboot its Crush range. In this new range you will see a pair of lower watt (12w with 6″ speaker, and 20w with 8″ speaker) single channel amps, the Crush 12 and Crush 20.
Next up are the 20RT (8″ speaker) and 35RT (10″ speaker), both foot switchable dual channel amps, with great sounding distortion. Orange has included an emulated Orange 4×12 cab simulation to the headphone and line outs of all of these 4 amps.
Gone are the Crush PiX built in FX (lots of them), and here you have a great sounding “lush” digital reverb, and built in tunes on the RT models.
Orange is pitching these as practice amps, but with the emulated cab outputs, there’s no reason you couldn’t hook up to a PA and gig with them.
Available in classic Orange covering, or modern black covering.
Ever suffered from too much flubby/boomy bass from your amp. Check this out http://t.co/pssd1n0IJ9
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